Classicism
The term Classicism refers to two distinct periods in the evolution of European fine art: an earlier period spanning the 16th to 17th centuries, and a later period (also called Neoclassicism) from 1760 to 1830. In the Austrian lands (which included Croatia at the time), it emerged in the early 19th century.
Early Classicism
The earlier period of Classicist architecture originated in northern Italy, with builders primarily drawing inspiration from ancient Roman models. This architectural style emphasized clarity and simplicity in surface breakdown and the principle of straight lines, minimizing plastic decoration.
Late Classicism (Neoclassicism)
The later period of Classicism, often called Neoclassicism, arose as a reaction to the dynamic Baroque and the extravagant Rococo styles. In contrast to these, Classicism sought calmer forms. The classical ideal of beauty became the aesthetic standard. In building, this manifested in the application of precise measurements for individual architectural components and their interrelationships, as well as the use of columns, profiling, and ancient ornaments. In garden architecture, the natural, landscape (English) park became dominant across Europe.
Classicism in Croatia
In Austrian countries on the beginning of the 19th century (to which Croatia belonged than) building in Classicistic Manner prevailed. In Croatia most prominent architect was Bartol Felbinger who also build City Hall in Samobor (1826) and Januševac Castle near Zagreb.
Januševac Castle was owned by Baron Vrkljan, Minister of Finance to Napoleon’s wife, Marie Louise. Classicism in Croatia was sentimental, gentle, and moderate—a reflection of bourgeois virtues like thrift, modesty, and simplicity. In its architecture, we see simple decorations such as semicircular shallow niches around windows.
The Challenge of Classicism
Although Classicism originated from historical research, it carried within it the seed of sterility. In its pursuit of “perfect” beauty, ancient clarity, and formal harmony, it risked becoming a poor imitation and an empty copy.
Source: Wikipedia
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