Ghirardini Palace
The palace stands on the corner of the main city square. What you see today is just one two-story wing. Originally, the palace was much larger. It used to cover an entire block of the buildings that are there now.
On the southern facade, the original Romanesque entrance doorway has been preserved, complete with a lunette (the semicircular space above the door) and a segmental arch (a shallow, curved arch).
The floors, divided by a profiled cornice (a horizontal decorative molding), feature rows of rectangular windows that are of a more recent date.
The western facade’s most notable feature is a Gothic–Renaissance balcony on the first floor, beneath which is a relief depicting angels carrying a garland (a wreath of leaves and flowers).
Older scholarly works attributed this garland relief with angels to the workshop of Andrea Alessi. However, later research has moved away from this theory, and the work is now attributed to the workshop of Nicolas of Florence.
Location
Zadar
Zadar is the oldest continuously inhabited city in Croatia. It is situated on the Adriatic Sea, at the northwestern part of Ravni Kotari region. Zadar serves as the seat of Zadar County and of the wider northern Dalmatian region. The city proper covers 25 km2 (9.7 sq mi) with a population of 71,000 in 2025, making it the second-largest city of the region of Dalmatia and the fifth-largest city in the country.
ExploreGothic
Gothic appeared relatively late in Croatia. In addition to the 13th and 14th centuries, as long as it lasted in Europe, its influence is also visible in the 15th and 16th centuries – for example, on the Trogir and Sibenik cathedrals. Also on the territory of Croatia, you can often see admixtures of Romanesque and Renaissance in Gothic buildings. Gothic influence from European countries adapted to its possibilities and needs and thus created a “domestic artistic expression”. This mixture of styles is most pronounced in Dalmatia. The northern regions were exposed to the influences of Central Europe, while the coastal regions tied their artistic expression to Italian models.
ExploreRenaissance
In the 15th century, Croatia was divided between three states – northern Croatia was a part of the Austrian Empire, Dalmatia was under the rule of the Venetian Republic (with the exception of Dubrovnik), and Slavonia was under Ottoman occupation. Dalmatia was on the periphery of several influences, equidistant from Italy, Ottoman Bosnia, and Austria, so it drew influence from all. In those circumstances in Dalmatia flourished religious and public architecture with clear influences of the Italian Renaissance, but still original.
ExploreRomanesque
In the 11th century, monumental cities were built along the entire Dalmatian coast. Houses were constructed from stone. On the ground floor there were shops or taverns (natively – konoba), seen today in cities such as Poreč, Rab, Zadar, Trogir, and Split. In those cities the most important buildings were churches. They were commonly stone-built basilicas with three naves, three apses, columns, arches, arcades and wooden roofs, and were erected near the monasteries of Benedictine monks who came out of Italy. St. Peter in Supetarska Draga on the island of Rab (11th century) is the best-preserved church of that type in Croatia. On the same island is the Cathedral of Rab (12th century) has a high-Romanesque bell tower, the largest in Dalmatia. It is specific with its openings, which multiply with each level of floor (Latin: mono-fore, bi-fore, tri-fore, quadro-fore). This is typical for Romanesque architecture, but also architecturally innovative, as each floor is slightly lighter than the one below.
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